The space beside the portrait is part of the picture.
A photograph is often one half of a layout. Leaving room for the other half is a practical design decision.

Compose for the finished page
Space beside a subject gives designers somewhere to place a headline, a short introduction or other page content. It is most useful when the photographer knows the intended layout before the session. A centered profile portrait and a wide website image often need different compositions.
At SRQ Headshots, photographer Michael Devaney uses intentional left or right space for corporate clients who need room for copy. The decision is practical: the finished photograph has to share a page with a message. The extra room is not simply an attempt to give every portrait a cinematic look.
An image can be beautifully balanced on its own and difficult to use inside a website. When a headline covers the face or a mobile crop removes the subject, the problem is often a mismatch between the composition and the placement.
Decide which side belongs to the words
A useful brief includes a rough layout, even if it is only a sketch. Place the subject on one side and the intended text on the other. Consider the direction of the subject's body and gaze, the length of the headline, and the color contrast the text will need.
An empty area is not automatically a readable area. Fine background details, bright highlights and strong changes in color can compete with words. Sometimes the better solution is to keep the text outside the photograph entirely. The image should not have to carry every part of the design.
Plan a second composition for small screens
A wide desktop banner may become much taller and narrower on a phone. Simply cropping its center can remove the person or eliminate the space intended for text. Review the small-screen layout while choosing images, rather than discovering the problem after publication.
Keep a close portrait available alongside the wider composition. A site can use different crops or image versions for different layouts without asking one file to fit every shape. The framing should make the face easy to recognize and preserve the details that matter to the story.
Google's image guidance discusses responsive images, which let browsers select appropriate image resources. That technical choice helps delivery; it does not decide where a face belongs inside the crop. Composition still needs a person to make the judgment.
Save room without losing the portrait
Copy space is a tool, not a requirement for every photograph. A tightly framed headshot can be the right choice for a staff directory. A wider photograph can be the right choice for a feature opening. Keeping both allows the layout to change without forcing an unsuitable crop.
When reviewing a portrait, ask two questions: does the image work by itself, and does it work where it will be published? The second question is easy to skip. It is also the one that determines whether the photograph becomes a useful part of a brand's visual language.
Sources & further reading
Sources checked September 22, 2026. Recommendations and interpretations are The Brand Edit’s editorial perspective.